Many people know who extroverts are. However, this knowledge is a little stereotyped and primitive. But what if we consider this type more deeply and explain some points in the language of psychology?
Thinking as such is based on information from subjective sources and on objective data, perceived sensually and passing awareness. Extraverted thinking is determined by the latter factor. The determining measure of judgment is borrowing from circumstances from the outside. They can be sensually perceived factors or generally accepted ideas transmitted through traditions in the course of upbringing or education. If a person has a tendency to subordinate all other life manifestations to intellectual conclusions, then we can talk about a pronounced mental extravert type.
People of this type use the dominant role of objective reality not only in relation to themselves, but also in relation to the entire surrounding world. On the basis of the “external”, the perception of good and evil, the measure of beauty, is built. The extrovert mental type is not capable of making exceptions. He brings all manifestations of life under a certain formula, scheme. The presence of a broad formula gives rise to reformers, public prosecutors or disseminators of important ideas. The flip side is grumbling, people who criticize everything, try to bring the diversity of life to a convenient scheme, and who hate all dissent.
The basis of the method of feeling in an extrovert installation also becomes an object. For example, a person considers a painting beautiful not because of subjective perception, but because it observes it in the cabin. It is this way of feeling that causes mass visits to the theater or concerts, commitment to fashion trends, etc. In such matters, extrovert feeling acts as a creative principle. Without it, harmonious communication is impossible. But when this attitude becomes exaggerated, the feeling loses human vitality, constancy disappears, hysterical states may appear.
In the formation of sensation, objective and subjective factors can be distinguished. In an individual with an extrovert attitude, the latter factor is either inhibited or crowded out. In an extrovert installation, "merging" with objects or processes is instantiated. Only specific sensations give rise to the fullness of life. The positive development of such an attitude gives rise to sophisticated aesthetes. Otherwise, there are slaves of tangible reality, devoid of reflection and any ambitions.
Intuition in an extrovert installation is a complementary function. It acts automatically. Aimed at the constant search for new opportunities for external life.